The train slid silently out of Venice, and the lagoon dissolved into reflection — a dream of water and light giving way to the deep red earth of Emilia-Romagna. Bologna awaited with its arcaded streets and scent of espresso, but our true destination lay farther still, beyond the station platforms and car-hire counters, in a corner of Italy where food borders on faith.
Yet first, a reminder that travel’s finest stories often hide in its imperfections. A car rental “at Bologna Station” turned out to be a ten-euro taxi ride away — an Italian lesson in fine print and patience. I laughed, tucking the moment away like a souvenir. Now, I always call ahead for my clients. The poetry of travel, after all, is written in both the sublime and the slightly absurd.
Yael and I found our rhythm easily — I drove, she navigated with Google Maps and instinct. The autostrada stretched before us, a ribbon of speed and promise. When we turned off toward the countryside, the mood shifted. The world grew still. Two tall white gates appeared, standing sentry before a long gravel drive flanked by trees just beginning to blush with the first white and violet blossoms of spring.
At the end of that drive rose a palazzo of quiet grandeur — a three-story villa near Modena, its symmetry softened by sprawling gardens and a pool shimmering in the late afternoon light. The air was scented with magnolia and earth. Somewhere, unseen, a fountain played. In the distance, a tennis court gleamed like a promise of leisure.
This was not merely accommodation. It was an immersion — part art gallery, part culinary retreat, and entirely an expression of the Italian genius for beauty in every detail.
Inside, the atmosphere was one of cultivated surprise. A sleek music room displayed two thousand vinyl records, their spines a symphony of colour. The lounge featured an arresting triptych — Ai Weiwei’s self-portrait in Lego, as provocative as it was playful. “Is it real?” Yael asked. It was.
The kitchen, however, was where the heart of the house beat loudest. A vast farmhouse table served as altar and invitation. Each day, it transformed: paper-thin croutons sprinkled with anchovy; crisp flatbread dusted with za’atar; buttery Linzer biscuits that seemed to float rather than rest on their tray. The refrigerator gleamed with treasures — jewel-bright salads, wedges of blue cheese, Lambrusco chilled to a delicate fizz, and always, a smiling host appearing as if by magic with an offer of espresso or wine.
Every room had its secret. A hidden bar stocked with rare spirits. Walls alive with modern art. And beyond the main building, another surprise — a vast hall where Ferraris, Lamborghinis, and Ducatis stood gleaming beside contemporary sculptures, like relics of Italy’s twin devotions: speed and beauty.
The next morning, the urge to explore pulled us north to Ferrara, a city whose grace lies in understatement. The drive — smooth and swift at 170 kilometres per hour — reminded me of my younger self, when speed was still synonymous with freedom. Ferrara, by contrast, invited you to slow down. Its cobbled streets hummed with the gentle rhythm of bicycles, its piazzas basked in quiet sunlight.
We wandered without direction, discovering corners that felt both ancient and intimate: a café spilling jazz into the street, an old woman watering geraniums on a balcony, the newly opened Jewish Museum of Ferrara, tracing the arc of Italian Jewry from the Roman Empire to today. The weight of history hung softly in the air — not oppressive, but tender, like parchment smoothed by time.
In Italy, the greatest luxury is this: walking without a map, letting beauty find you.
By evening, we had returned to Modena for the nine-course degustation that would become the defining moment of our journey. Twenty guests sat around a long communal table, the anticipation electric. Here, dinner was not a meal but theatre — a choreography of precision and passion.
There was one dish that silenced the table: Parmesan in three acts.
A custard made from cheese aged fifty months, silken and powerful.
A cloud of Parmesan foam, light as breath.
And finally, a lattice wafer so delicate it shattered at the touch.
It was as if centuries of craft and patience had been condensed into flavour — a taste of time itself. Around us, conversation gave way to reverence. When food transcends hunger, it becomes memory.
If Modena has a religion, it is Aceto Balsamico Tradizionale — aged balsamic vinegar made with the same devotion monks once reserved for illuminated manuscripts. The following day, we visited one of the region’s most revered acetaie (vinegar houses).
The air inside was cool and fragrant, thick with sweetness and age. In the attic lofts, rows of ancient wooden barrels rested like sleeping giants. Each one had its own story: oak, chestnut, cherry, mulberry — each imparting its essence to the dark liquid within. The master explained the ritual: cooked grape must transferred year after year into smaller barrels, evaporating, concentrating, evolving.
To earn the Consorzio seal of Modena, patience is everything. Twelve years for the young balsamico; twenty-five for the rarest reserve. Only 100 millilitres are sent each year for inspection — a gesture of faith across generations.
When we finally tasted the 25-year-old balsamico, the experience was profound. The first drop was velvet on the tongue — fig, cherry, and smoke unfolding in waves. The finish was bright, almost floral. It was less a condiment than a meditation. Standing there, I understood why they call it oro nero — black gold. It tasted of devotion, of time itself captured in amber darkness.
In Modena, food is not consumed — it is contemplated. Whether in a Michelin-starred kitchen or a humble trattoria, each gesture carries intention. The farmer who tends the vines, the chef who stirs the risotto, the artisan who waits twenty-five years for his vinegar to mature — they all share the same quiet creed: nothing rushed, nothing wasted.
This philosophy seeps into every aspect of travel here. Even our hosts mirrored it — never hurried, always generous. The palazzo’s refrigerator was restocked daily, not because guests demanded it, but because hospitality, in the Modenese spirit, is an act of art.
That night, as the lights dimmed and the last Lambrusco glass was emptied, I realised Modena isn’t about indulgence — it’s about reverence. For the earth, for time, for the human hand that transforms both into beauty.
Morning came with the kind of light that makes you linger. Dew glistened across the garden lawns, the air laced with woodsmoke and promise. But Tuscany was calling. We loaded the car, Yael tracing routes on her phone, and eased back onto the autostrada.
As Emilia’s flat plains gave way to Tuscany’s rolling hills, the mood softened. Vineyards spilled across slopes in perfect rhythm, olive trees stood in quiet ranks, and cypress sentinels pointed skyward like notes on a staff. Here, everything slows.
Where Modena is a performance — complex, precise, layered — Tuscany is a whisper. The food, too, changes dialect: a slice of rustic bread rubbed with garlic, drizzled with the first olive oil of the season, a glass of Chianti catching the sunset. Nothing elaborate, only the confidence of simplicity.
We were headed to a farmhouse near Siena, where time promised to loosen its hold. After the orchestral grandeur of Modena, I longed for Tuscany’s quiet refrain — the hum of bees, the creak of shutters, the warmth of sunlight on stone.
As we drove, I thought about the journey behind us — about Parmesan clouds and vinegar sanctuaries, about art, speed, and generosity. Every mile southward felt like a deep exhale.
Travel, at its best, is an act of surrender. You plan, you prepare, and then the world unfolds as it wishes. In Modena, I learned that lesson anew — that the richest experiences often come not from seeking spectacle, but from slowing down enough to taste the story of a place.
The Parmesan aged for fifty months. The vinegar tended for twenty-five years. The blossoms opening, quietly, along a driveway in early spring. All speak the same truth: that time, when honoured, transforms the ordinary into the divine.
As Tuscany’s horizon widened before us, I looked once more in the rearview mirror toward Modena. The palazzo, the barrels, the laughter over nine courses — all receding, yet somehow still with me.
Some places you visit. Others, like Modena, you absorb — slowly, richly, one lingering drop at a time.
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About the Author
Miriam Rosenman is a seasoned luxury travel advisor with decades of experience curating journeys for discerning travellers. Her passion for travel is rooted in a lifelong love of discovery, storytelling, and the joy of sharing extraordinary places with others. Whether uncovering hidden gems in a remote countryside, securing exclusive culinary experiences, or guiding clients to the world’s most beautiful destinations, Miriam believes that travel is about more than seeing; it is about feeling.
When she is not on the road, Miriam can be found reading about new destinations, exploring art and culture, or designing bespoke itineraries that transform her clients’ dreams into unforgettable realities.